If you run either the gain and/or master controls hot, remember that the plug-in’s output control provides another way to attenuate your output levels, giving you a final layer of management to ensure your mixer isn’t running into the red. Start with the correct combination of amp, cabinet and microphone for your needs and everything else should fall into place. The Classic Amp, for example, has a much richer sound than that of the Modern Amp, and the Condenser 87 microphone has a wider timbre than the more nasal Dynamic 421. Even at this stage, you’ll likely notice some marked colouristic differences between the available combinations. Gain brainīefore investing in the sound-shaping characteristics, understand the distinctions between the basic settings of your amp: its gain, how hard the cabinet is driven, and the mic options, for example. As with many bass-dedicated pedals, this parallel path is often used as a means of preserving the low-end weight of a DI’d bass but combining it with the more colourful sounds available when the instrument is recorded through an amplifier. It includes a parallel signal path that allows you to combine an amped signal passed through an amplifier, cabinet and microphone, and a direct-box path that leaves the bass guitar relatively unprocessed. Though its guitar-amp equivalent has more options in terms of amps and cabinets, Bass Amp Designer features a few elements that its sibling does not. You could leave Bass Amp Designer’s setting relatively open and transparent or, for example, you could build a more driven sound by pushing the amp harder and opting for a more colourful microphone.
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The plug-in is designed to let you build your ultimate bass rig by selecting the amp head, cabinet and mic that capture your chosen tone and timbre. Bass Amp Designer takes much the same approach as Logic’s Guitar Amp Designer in providing a virtual combination of amplifier, cabinet and microphone with which you can mimic the sound of a properly recorded bass guitar.